Show Jumps – The Ultimate Challenge For Horse And Rider

Show jumping is one of the most spectacular forms of equestrianism and is one of the most widely known and recognisable sport. If you attend any kind of outdoor show during the summer months you are almost certain to see a show jumping competition, hugely favoured by competitors and spectators alike. Indeed, show jumping is an established Olympic sport, which carries recognition at the highest levels.

This sport is designed to show the affinity between the horse and its rider, the levels of performance, agility, ambition, training and coordination. A course is laid out with a number of different show jumps in a variety of different combinations and structures. There will be a number of different changes of direction, together with a requirement for the horse and rider to change tempo from time to time to be able to clear those numerous obstacles in the correct order. The ultimate purpose is to achieve a clean jumping record over the course in the best time possible.

The beauty and diversity of show jumping is in the number of different horse jumps that are set out and the combinations thereof. For example, you can expect to find different vertical variations, double and triple combinations and to set the stage the rider is allowed to look at the course before the actual competition itself. As could be expected, the more important the competition itself, the more technical the course will be.

While there are many rules and regulations, points or “faults” are basically deducted when the horse refuses to jump, or there’s a knockdown with these points being added to a competitor’s score accordingly. If any show jump construction is damaged as a result of a poor jump or a refusal, additional penalties are added, due to the amount of time it takes the organisers to replace everything.

There are an amazing number of different show jumps available and you can always create a course that will be unique and challenging for the competitors, no matter how “veteran” they may be. You can choose plastic show jumps or timber show jumps in a variety of different designs and colours. Show jumps are also configured according to the BSJA specification.

To give an idea of the variety available you can select blocks, poles, wings, planks, fillers, water trays, ladders, gates and all can be configured in a variety of combinations to produce a truly spectacular end result. As this type of event is very photogenic, often attracts a large number of spectators and is really made-for-TV, sponsor graphics and other messages can be added to those plastic jumps or timber jumps to help with the event’s commercial viability.

Many a young rider aspires to the show jumping circuit, yet a lot of practice and application is required first. It’s vital that the rider really knows the horse and that the correct attire and equipment is selected. There is scarcely anything more exhilarating in equestrianism, however, than achieving a clean run and “besting” your competitive class. This is truly a case of the horse and the rider working together.

Nick Morgan is a renowned professional when it comes to the details relating to show jumps. To find out more information about horse jumps, go to the web site at …

The Bond Between Rider And Horse

Every owner considers his horse a winner, according to a female artist from Walla Walla. The owner disregards the champion status of his horse. She lives on a ranch on Springdale Road and has established a successful career in horse art.

She is both a painter and a photographer, who can do either on commission or for shows. Majority of her customers are just people who enjoy horses, although she has painted some truly famous horses, such as a famous actor’s championship endurance mount, Shur Raff Zi.

She is one of the few blessed who really love their jobs. Even as a teen, her interest in horses was sparked. At age 11, she began drawing pictures of horses, and she worked on her sketches for quite a time.

These experiences gave her a knack for shading that gives all her horse portraits depth. She tries to capture the unique characteristics of each horse on canvas.

She works with photographs of the subject. She rarely makes sketches on the scene, unless it is a special little mark peculiar to the horse like when she makes notes on the horse’s color. She says she needs to satisfy the pickiest of customers.

Sometimes the owner has a preference for a particular angle, or will point out some special characteristic of the horse that they want emphasized.

To some owners, each characteristic is to be cherished, from facial expressions and wrinkles to cowlicks. Most owners are more interested in having their horses look natural than perfect. Her repertoire includes many breeds and different events, like barrel racing and cutting.

She says action pictures are so much different that she has to learn the trick to capture a horse in motion. The wrong angle of a cantering horse can make him look incredibly awkward.

Using a telephoto lens, she can catch that elusive action angle. She was called in for 15 18 shows a year when she still covered horse shows.

At the time, she did both photos and paintings of winning horses. Those photographers who take on shows full time find it easier to develop pictures on the spot with dark rooms in their vans. She feels her pictures come out the best when developed at her dark room at home.

Her experience, however, does include other types of family pets. Dogs and cats are not her expertise, and she either needs to see them in person or a good photo.

Any mental image she could conjure of these breeds would simply be inadequate.

Visit horse portrait art to learn more about paintings. To keep learning about paintings be sure to check out abstract oil paintings canvas.